Filming with my own kit
Camera operation for weddings, companies, automotive, events and brand content, with my own kit included in the day rate.
- Full frame
- Gimbal
- Dual angle
- Live sound
Giuseppe Ciaccio
direction and camera
Videographer and colourist in Tenerife. Filming, editing, colour and motion for brands, agencies and production companies.
Shots from real projects. No sound.
What I work with
DaVinci Resolve
After Effects
Premiere Pro
Blender
Photoshop
Lightroom
Higgsfield
About
One person
from idea to delivery.
I’m Giuseppe Ciaccio, a camera operator, editor and colourist. I film with my own kit and also handle post-production: editing, colour, motion and 3D. I work with brands, agencies and production companies, based in Tenerife and Madrid.
- Based in Tenerife and MadridI travel wherever the shoot is
- A complete kit of my ownCamera, movement, sound and lighting, all my own
- I deliver the finished pieceEditing, colour, motion and 3D included
Trusted by
Who I’ve
worked with.
Personal brands, automotive, hospitality, banking and content projects. Some come back every month.
Celia Rubio@_celiarubio
Xoan Ramos@xoanramos_
David Marchante@davidmarchante
Tu Oro Vale Más@tuorovalemas
El Patio@elpatio_talks
Miatasquad@miatasquad.es
Ceciarmy@ceciarmy
Golazo@golazo
Pistacho'sPuerto de la Cruz
Banco MarchPrivate banking
Trade RepublicInvestingWork
A selection.
Shots from delivered projects. Vertical for social and horizontal for brand work, each format filmed for where it will be seen.
Vertical · 9:16
Horizontal · 16:9
Motion, 3D and post
2D animation and graphics. A flight over the map and callouts built shot by shot over live footage. Delivered in 4K.
3D in Blender. A room modelled and lit from scratch, with a security-camera look added in post.
Ocean in Blender. Night-time water simulation, a dive and an animated counter over the shot.
And what doesn’t fit in a loop
A twenty-minute edit for Ceciarmy: shot selection, pacing, subtitles, track-by-track sound design and colour. What you see above is seconds; this is the long-form work, where craft shows.
20minutes
50hours of editing
What I do
Six disciplines,
one standard.
As a camera operator for a day, or in charge of the whole project.
Editing and pacing
Shot selection, structure and pacing, with a first cut to review before finishing.
- Premiere
- DaVinci
- Subtitles
Colour grading in DaVinci
From log to delivery: balance, skin tones, shot-to-shot continuity and a look consistent with the brand, built with a node tree.
- DaVinci Resolve
- Nodes
- Custom LUT
Motion and After Effects
Titles, graphics, transitions and motion design. Tracking, rotoscoping and compositing when the shot needs it.
- After Effects
- Tracking
- Compositing
3D with Blender
Product, packaging, animated logos and shots that can’t be filmed. Modelling, materials and rendering integrated with live footage.
- Blender
- Product
- Integration
Creative direction for course creators
Creative partner to course creators: angle, format and content calendar, plus production of the pieces behind it.
- Creative partner
- Format
- Conversion
Filming
A day
on set.
One operator with a complete kit: camera, movement, sound and lighting. Framing and lighting decisions are made on set, in the moment.
The rate is agreed in writing before the date is held, based on scope, location and number of shoot days. Overtime is agreed in advance.
Tell me about the project- Full day8 h of filming plus a 1 h lunch from call time, with set-up and wrap included.
- Half day4 h from call time, for short pieces, product and social content.
- Two days in a rowThe same project on consecutive days, with continuity of light and kit.
- Dual angleA main camera and two second-angle cameras rolling at the same time.
- Car-mountedA damped arm and suction mount for bodywork and glass, to film with the car moving.
- Rest12 h between consecutive days.
Filming kit
Eleven pieces
all included.
My own kit, not rented: it comes complete to every shoot and is included in the day rate. Images for illustration.
Sony A7C
Full-frame body. The main camera on set: cinematic depth of field and strong low-light performance.
Tamron 28-75 and Sigma 50 mm
The constant F/2.8 working zoom and the fast F1.4 prime for shots that need separation. With ND filters to keep a cinematic shutter in full sun.
External field monitor
Framing and exposure checked live. The client sees what the camera sees, while filming.
Tripod and supports
Fluid head, supports and rigging for locked-off shots, pans and static rigs.
Gimbal DJI RS 4
Moving shots, follows and stabilised tracking shots without rails or extra crane gear.
2 × DJI Osmo Pocket 4
Second angle and B-roll at the same time. More coverage without doubling shoot time or budget.
MOVMAX
An articulated, damped arm to mount the camera on a moving vehicle. It soaks up bumps and keeps the shot clean at speed.
Body and glass suction mount
The anchor point: a vacuum suction mount for bodywork and glass. The arm goes on it, and it makes a simultaneous dual angle on the car possible.
Live sound
Shotgun mic for ambience and dialogue, a wireless lavalier system and monitoring headphones: audio is checked while recording, not afterwards.
LED panel with diffusion
My own lighting, with stands and diffusion, for interiors, interviews and product shots when daylight isn’t enough.
Cards, batteries and backup
Power for a full day and a double backup of the footage at the end of the shoot. Footage never travels on a single card.
Editing and post-production
Editing, colour
and finishing.
Full post-production, delivered in the formats each channel needs.
Post-production is quoted per piece, at a fixed price based on length, versions and deadline. It can also be booked on its own, for footage shot by others.
Request an editing quote- EditingShot selection, structure and pacing. A first cut to discuss before polishing.
- Colour gradingBalance, skin and continuity in DaVinci Resolve, with a node tree and a consistent look across the brand.
- MotionTitles, graphics, transitions, tracking and compositing in After Effects, in service of the message.
- 3DProduct, packaging or animated logos in Blender, integrated with live footage.
- AIAI-generated assets and shots when the project calls for it.
- SoundDialogue clean-up, music and a mix designed to be heard on a phone.
- DeliveryMasters in 16:9, 9:16 and 1:1, with burnt-in subtitles for social.
Colour grading
Same shot,
two worlds.
Drag to see where the image comes from. On the left, the flat log straight out of camera; on the right, the delivery, graded in DaVinci with a node tree.
Camera log
Delivery
Where I work
Tenerife, Madrid
and wherever needed.
I film across the Canary Islands, mainland Spain and the rest of Europe. Travel, per diems and accommodation are agreed in writing before the date is confirmed.
Filming in the Canaries- TenerifeBase. No travel cost
- MadridSecond base. Open calendar
- Rest of the CanariesFlights and per diems extra
- Mainland SpainTravel quoted separately
- EuropeAvailable, with fixed dates
Booking
Pick a date
on the calendar.
Hold shoot days and send the brief, or book a half-hour call to talk it through first.
—
Select at least one day * — up to 5. Selecting them doesn’t book anything.
Call time Canary Islands time
Choose a day from Monday to Thursday and a time.
Confirming opens my calendar on that day and time: enter your name and email and you’ll receive the invitation with the Google Meet link. Monday to Thursday, 10:00 to 17:30.